Day 6 – director Oliver Nias on one of the hotter days
Day 6 – actor Sam Donnelly relaxes on board The Boat
Day 6 – make-up designer Amy Davies with Amie Burns Walker
Day 7 – Oliver Nias with tea in hand
Day 7 – The Return was monitored though a 2.5 inch monitor
Day 7 – rehearsing on the boat
Day 8 – the first of many cat naps from actor Sam Donnelly
Day 8 – Oliver Nias with his little monitor box, a perfect low budget solution designed by DoP Carl Burke
Day 9 – The Snooker Hall
Day 9 – Robert Goodman (right) faces off with Sam Donnelly (left)
Day 9 – working in the shadows, Robert Goodman and Oliver Nias
Day 9 – DP Carl Burke, director Oliver Nias and, behind them, gaffer Greg Whitbrook
Day 9 – Oliver Nias holding a cup of tea, Robert Goodman holding a knife
Day 9 – The Snooker Hall scene
Day 10 – David Elliot, Oliver Nias and Robert Goodman discuss the script
Day 10 – 5am start…
Day 10 – Robert Goodman and DP Carl Burke inspect different things
Day 10 – Camera and dragon
Day 10 – DoP Carl Burke eyes a shot
Day 10 – The man behind the mask and the man behind the camera
Day 10 – Robert Goodman on set